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[MV Review] BESTie - Hot Baby

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Best-eye, whoops, I mean BESTie, returned out of the blue last month with Hot Baby, the 390457395th track composed by Duble Sidekick this year.



The song is nice, but it is lacking something to make it go from "something nice to listen to from time to time" to what a lot of people like to call a "pussy popper." I think the song would have benefited by including a rap break because the only thing this song tried to do to make it interesting was having Yuji vocally masturbate during the end of the song. Singers vocally masturbating is ear cancer. It is canal rape.

While the song is alright, the MV is nice in that it deviates from the dance in a box music video we have come accustomed to viewing. I actually don't like watching this music video because three hot girls and G.NA's clone are frolicking around, having a blast during summer while I spent the majority of my summer working God awful shifts and studying when I wasn't working.

Then I look at Dahye's ass and everything becomes much better.


Yes.


In typical BESTie fashion, they have a choreography move that focuses on their asses. That will always be good in my book.

While Hot Baby is an alright song, I hope BESTie moves onto another composer. Dare I say that I liked a Brave Brothers produced track (Love Options) more than the two tracks composed by Duble Sidekick. Now that Duble Sidekick is even composing for Kara now, Sweetune are temporarily out of work. Team up with Sweetune, BESTie, so that you girls can truly stop sounding so Sistar-esque. You may be easier on the eyes, but that's all you have on Sistar at the moment.

Jisook Truly Hits Rock Bottom, Jesus Take the Wheel

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As Rainbow's unemployment continues, it becomes more and more important to the health and sanity of the individual members to find their own line of work and/or sugar daddy(ies??) to pay the bills.

Jaekyung, the bestest of them all, is a notable example of how to successfully navigate idol unemployment. She has found hosting gigs on semi-popular beauty shows, picked up several thousand hobbies, and generally seems to be enjoying her life outside of the idol world. Not to mention she's still as gorgeous as ever, I would know since I saw her at KCON. *~*

Jisook on the other hand is running into quite the few struggles.

At least she's cute.
Realizing that there's nothing left for her in this miserable idol world, she literally packed herself into a shopping back and prayed some rich, possibly attractive, hopefully not that old/ugly, preferably young but anyone rich would do even if it means he's a fat and old with a 2 inch penis, guy would pick her off the street and take care of her needs.

While the Hail Mary play isn't exactly the most stable or safe way to get back on her feet, I can see where she's coming from. Look at the desperation in her body language as she prepares to step into the bag. Look at the hopeless resignation in her eyes as she sits out in the hallway of some fancy hotel, waiting for an oppa to literally trip over her. Look at the blind faith in her clenched fist as she lets Jesus take the wheel and drag her away, hopefully to no broke bloke's apartment.

I feel you girl.

Stupid Things Fangirls Utter 63

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This week's photo comes from our very own Kpopalypse:


Thank you for your submission!

~*~*~



Gawd what a selfish brother. He would not change his wedding date that he (assumably) planned for months in advance so you could see your first kpop concert? What a dick. You should just ditch the wedding and go. Family isn't that important.  I bet if you went to the concert, not only would you have touched Zico and Ukwon, one of them would have totally fallen in love with you the moment he saw you. Your brother ruined your life because he stopped you from having your own future wedding.

/sarcasm

At least she reasonably said "I'm just exaggerating" midway. Still a drama queen though. Who actually has the balls to ask someone to change their wedding date for a reason as trivial as that?


If anyone has submissions for future Stupid Things Fangirls Utter, please send them to zomg.oppa.sareanghae@gmail.com, tweet them to @akf_shinbi, ask them at ask.fm/akfshinbi, or leave them in the comment section below. Remember your rights on this site: anything you say or do here can and probably will be used against you. Thank you, FISHies!

Hyunyoung's Secret to Dat Ass

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So I woke up and got on Twitter and one of the first things I saw were these videos from Hyunyoung's Instagram.






God, it must suck to be Hyunyoung's personal trainer unless he's a major flamer because the real workout to be had would be me keeping my boner hidden from her.

Anyway, this is just an awesome excuse to repost this gif!

Kpopalypse Battle - Park Bom vs Kemy

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People want to know if Kpopalypse supports either 2NE1's Park Bom or A.KOR's Kemy in the latest hilarious k-pop drama, and which side they should choose. This post has the answers!

bomkeny0


Here's a quick recap of the situation for those unfamiliar:

bomkem1bomkem2bomkem3

So now that we're all up to speed, here's what I think of the situation.  Because the Park Bom/Kemy controversy is very multi-faceted and there's a lot to cover, we're going to let them both battle it out in several different areas and allocate Kpopalypse approval points, then tally the results up for our final answer.  Let's get started!



KPOPALYPSE BATTLE - PARK BOM VS KEMY

battle copy

ROUND 1: DRUGS


Kemy:
Is anti-drugs: +1
Doesn't smuggle drugs: +1

Bom:
Is anti-drugs: +1
Smuggles drugs: -1

kemyr1

WINNER OF ROUND 1: KEMY

Kemy doesn't smuggle drugs, or at least hasn't been caught yet, so I'll give her the benefit of the doubt - for now.

Total so far - Kemy: 2 Bom: 0

*

ROUND 2: RAP CREDIBILITY


Kemy:


Can rap: +1
Is anti-drugs: -1
Promotes punishment for non law-abiding citizens: -1

Bom:

Can't rap: -1
Doesn't try: +1

kemyr2

WINNER OF ROUND 2: BOM

Kemy can rap nice, but racks up negative rap cred by telling Park Bom off for doing drugs and not being in jail yet.  Tsk tsk - everybody knows that rappers should be championing frequent drug use and disrespect for the law at all times.  Someone needs to tie Kemy down and make her listen to NWA and Cypress Hill, stat.  (And don't come here waving around any of that "conscious rap" stuff, that music is all by fuckheads, for fuckheads.)  So as a result, Bom has more rap cred by default despite never having dropped a single rap on anything, anywhere.

Total so far - Kemy: 1 Bom: 0

*

ROUND 3: FASHION


Kemy:

Wears a Star Wars T-shirt in some of her few promo pics: +1
It's for Attack Of The Clones (fitting analogy for k-pop though, no?): -1

Bom:

Most other outfits by Jeremy Scott: -1

bomnoooooo

NO CLEAR WINNER

It's enough to give you nightmares, the shit these people wear.

Total so far - Kemy: 1 Bom: 0

*

ROUND 4: FAP


Kemy:

Meets required standards: +1
Probably plastic as fuck: -1
Who cares though, can still fap: +1

Bom:

Meets required standards: +1
Definitely plastic as fuck: -1
Who cares though, can still fap: +1

bomboo

NO CLEAR WINNER

I can fap to either in the rare instances that they are wearing something acceptable.

Total so far - Kemy: 2 Bom: 1

*

ROUND 5: MUSIC


Kemy:

Kemy's solo mixtape raps sound good, or at least a lot better than CL: +1
A.KOR's debut song "Payday" is just a below-average clone of 2NE1 at their peak: -1
Still, it's better than anything 2NE1 themselves have done since "Scream": +1

Bom:

Has sung on several iconic 2NE1 songs: +1
Pity that none of them are recent: -1

kemy555

WINNER OF ROUND 5: KEMY

A.KOR may be nothing special right now but so far they've mercifully avoided performing something as ear-shreddingly awful as "Do You Love Me", "Missing You" or anything off 2NE1's "Crush" album.  Sure, it's early days yet - when they start trotting out the shithouse album filler ballads they may lose the higher ground here, but Kemy is safely in front for the moment.

Total so far - Kemy: 3 Bom: 1

*

ROUND 6: NETIZENS


Kemy:


Bom:


thunderboltsloveseunjung

NO CLEAR WINNER

Both are catching lots of juicy netizen butthurt, from different places, in roughly equal quantities.  To tip the scales, one of them needs to step up their game and do something extra-special to be hated globally.  Crossing my fingers.

Total so far - Kemy: 3 Bom: 1

*

ROUND 7: FANS


Kemy:

A.KOR fans seem to be quite sensible and rational: +1
All three of them: -1

Bom:

Has lots of fans: +1
Mostly barking mad lunatics: -1


NO CLEAR WINNER

What's worse, no fans or crazy zergling fans?  Flip a coin.

Total so far - Kemy: 3 Bom: 1

*

ROUND 8: ATTITUDE


Kemy:

Hilariously dissed Park Bom for attention: +1
Hasn't apologised (despite fake reports to the contrary): +1

Bom:

Hasn't said shit: +1
Doesn't need to: +1

bom88y

WINNER OF ROUND 8: BOM

Just because I understand the corporate reasoning behind A.KOR's label Republic Doo being a bunch of pathetic fucking pussies doesn't mean that I have to like it.  The more k-pop labels pander to the whims of spoiled brats, the more spoiled brats will learn that complaining gets them what they want, like a lab rat learning to push a button that releases food.  Labels need to learn to STFU... but they probably won't.

Total so far - Kemy: 4 Bom: 3

*

ROUND 9: ENTERTAINMENT


Kemy:

Hilariously smart rapping dissecting Park Bom and YG verbally: +1
Hilariously dumb death threats from Blackjacks all over her label's social media: +1

kemy2

Bom:

Butthurt from vocalfags who don't understand why people like to listen to her sing: +1
Butthurt from armchair anti-drug activists: +1
Butthurt from armchair plastic surgery protestors: +1



WINNER OF ROUND 9: BOM

Kemy has generated an admirable quantity of hate from Internet douchebags in a short timeframe but Bom is still one of the true masters at the game of extreme extended butthurt delivery.  Even if Kemy's current impressive speeds of butthurt-generation are maintained it's still going to take Kemy a while to catch up to Bom's years-long legacy of giving k-pop fans the shits.

FINAL SCORE - Kemy: 6 Bom: 6

CONCLUSION


Park Bom and Kemy are both awesome and I can't give up either.  I particularly enjoyed Kemy's ability to make Blackjacks embarrass themselves by writing shitty laughable response raps, and Bom's continual ability to annoy absolutely fucking everybody just by breathing in air is something I'll always admire and aspire to.  Why k-pop fans allow themselves to get so easily annoyed about either of them I don't know, but fuck it's funny.  Kpopalypse shall continue to support both Bom and Kemy's right to irritate all the rest of you.

Kara Releases Mamma Mia Teaser

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I usually don't post teasers because most of the time, teasers are simply lies that get me excited for nothing. However, I usually make exceptions for Kara.



First of all, Seungyeon, Hara and Gyuri looks great as usual. A plus for me is that Youngji looks jjangbak as well, reminding me of a younger Moon Chae Won. Maybe the butthurt fans will stop saying Youngji looks ugly compared to the other members after seeing the teaser. But even if they still think that way, well, good for me, because there's more Youngji for me to stan and less turds in my way in being one of the top Youngji stans out there.

Here's hoping this Duble Sidetrack song doesn't sound too similar to the songs they composed for Girl's Day and BESTie this summer.

Popu Lady - More

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While their previous track was alright with the best factor being the kissing in the MV, Popu Lady's follow-up track is a much better song with an addictive melody and chorus. It goes without saying that the girls look amazing.

[MV Review] Taemin "Danger"

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Yesterday, SHINee's Taemin became the group's first member to go solo. When I heard Taemin was going to release a solo debut, I wondered why they picked him of all the SHINee members to go alone. 

And after listening to the mediocre Michael Jackson-wannabe "Danger," I'm still asking myself why.


Is that you, Krystal?


I thought maybe watching the video might improve my opinion on the whole thing. The teasers and video stills promised an edgy, maybe even dangerous side of Taemin. That could be fun, right?




Just how dangerous is Taemin? Let's examine.



To determine this, we'll break down all the "dangerous" things Taemin does in the video and rate them on a scale of 1-5. A 1 rating equates to a danger level of Lee Seung Gi, every mother's dream son-in-law, and a 5 is like being Nichkhun with a six-pack.




So here we go:

1. Being surrounded by speakers blasting sick beats in your ears

Danger level: 2
That's a moderately dangerous thing for Taemin to do. Who knows what hearing impairment he might face in later life.


Plus 1 badass danger point if he's blasting "Day 1." It takes a real man to rock out to K.Will.


2. Wearing a mesh shirt with nothing underneath

Danger level: 3
Nipple chafe.


Put those away, Taemin. Ain't nobody want to see that.


3. Standing around like a moron while being circled by a motorcycle

Danger level: 3 total — a 5 for overall danger, with 2 points deducted for stupidity




4. Holding a machine gun ... -shaped guitar over your head

Danger level: You've got to be kidding me
This scene is too ridiculous to even earn a Lee Seung Gi rating.




5. Wearing ear-to-nose chains

Danger level: 5
Boy does one actually dangerous thing in this video, and that's dancing with this piece of jewelry. One bad hand movement, and something's getting ripped.




BOTTOM LINE: This song is ridiculous, and the video is a filthy liar.




Red Velvet - Penis

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A short interlude while I work on my next post.




Sorry, file got blocked :(

Zaku's KCON Experience, Part 1

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Now, I know this is a week late but people have expressed interest in how KCON went for me. It'll make up for the non-existent LA KPOP Festival write up I was supposed to do back in April... (If anyone wants to see that, I still have the unfinished draft in the Blogger... LOL)

Anyway, here it is.

Pic for pizzazz.

If you didn't know, KCON this year was a two-day affair spread out over the weekend of August 9 through 10. I've gone ahead and labeled all the sub-headings so you can skip around if I ramble about stuff you don't really care about.
DAY 1 (AUGUST 9)


PRE-CONCERT SHENANIGANS

Traffic getting there wasn't too bad on Saturday, but parking was the biggest pain in the ass I've ever experienced in my life. We had been warned (sort of) in our special guest information e-mails that this was going to be the case and we should find public transportation to be on the safe side. Me never having used the LA Metro scoffed and figured parking wouldn't be too bad. I left my house in Orange County at around 10:30 AM, arriving in downtown LA at about 11 AM-ish.

What a foolish mistake. The traffic signs posted directed us to follow a certain direction and travel down in an orderly line, but the SIGNS WERE LIES...!! It took ages to wrap around the entire block to get to some random lot behind the stadium, and by the time we got there, the incredibly helpful parking attendants with 100% information on what the hell to tell people sent us back to the starting sign that told us to wrap around the block. Amazing. I ended up spending $20 to park on a parking structure fairly nearby (about a 10 minute walk), but I wasn't too perturbed since KCON was reimbursing my parking fees. Very nice of them to do so, but the whole ordeal took me an entire hour to suffer through.

Anyway, as we were wrapping around the block we noticed a massive horde of KPop fans suffering in the LA summer sun. Apparently (like all previous years) registration was a massive clusterfuck and people were inching in one at a time. By the time I got to the front of the line (heheheh), it was about 11:55AM. Luckily for me, I got to bypass the whole thing as a special guest to pick up my panelist badge and concert tickets. They ran out of KCON lanyards though, so I had to improvise with the paperclip I keep on my key ring for those exact situations.

In order to get into KCON as a whole, we needed to grab wristbands, which meant waiting in more lines. Me being me, I walked up to a VIP registration entrance and told them I needed wristbands. They complied and handed me some cards to redeem for a goodie bag and 2 scratchers. This year, the artist interaction events were based entirely on a lotto system which I'm sure was to prevent the rampant scalping of the tickets like last years, but entirely backfired and resulted in several desperate fangirls camping the exit lines hoping to buy some.

The level of interaction you could POSSIBLY get were based on the money you spent on tickets. P1 ticket holders (floor, closest to the stage) got artist signing scratchers, which allowed you to push a scrap of paper in front of your fave so they could assembly line scribble their signature on it as you writhed in glee. P2 ticket holders (floor, area around the P1 folks) got to be part of the "hi-touch" line, meaning you got to give your faves a brief hand shake before their manager handed them a baby wipe and hustled you away (jk). P3 and below got "audience" tickets, which just meant you stood there watching all the rich kids do all the cool stuff with your faves while you silently fumed at your stingy parents or broke ass self, straining to make eye contact with them amidst a sea of people. Everyone also had a chance to be part of the red carpet event, but I think they intentionally made those very scarce. Didn't seem like very many people got those tickets.

Personally, I got tickets for audience level participation for IU and Jung Joon Young's events, but I got there too late for IU's event and I didn't really know about Jung Joon Young. Damn that LA parking struggle.

KCON itself was divided into 2 main areas, a "convention floor" surrounding the arena and a "marketplace" in the parking lot next to it. The convention floor was where all the panels and workshops were held, so I figured I would start there. I was also told we were going to be getting goodie bags, so that sealed the deal on that decision. To get into the convention area, people had to wait in yet another line so the security staff could search bags for bombs or knives or guns or bloody period letters to keep everyone safe. Real pain in the ass, but as a panelist, my badge let me go through the special unguarded entrance. At that point, I was feeling so #blessed to be an Anti-KPop Fangirl writer and to have been invited to the whole thing...

As I rounded the corner to the goodie bag line, I was faced with ANOTHER logistical clusterfuck. From my observations, it seemed like the goodie bags were full of a lot of stuff intended for the primo concertgoers who paid for special seating (e.g. P1 and P2 on the floor area). As such, the majority of folks had to wait as the workers emptied out the fun stuff (I think it was at least a pair of foam lightsticks and maybe one or two other things), leaving a nifty set of KCON branded dog tags and a flyer. At least the bag itself was a decent totebag... Since I was P3 ticketholder, I had to wait in the general line with everyone else, suffering a great deal.

Ya, it was this bad.
Standing in that line, I remembered how much reservation I had about coming to KCON. You had your gross people, your smelly people, your creepy people, your all of the aboves, and your rabid fangirls. Seriously, standing in that smelly BO-filled line was miserable... Not to mention around the corner, B1A4 had just arrived on a mini stage to do a talk show segment for an MNET show (I want to say it was Danny From LA, but I could be wrong). As soon as they stepped on stage, the area burst into screams and many of the girls in line ran over to the stage to get a sight of oppa. After getting my goodie bag, I used the dog tag chain to hang my badge properly around my neck and decided to check out what the hullabaloo about B1A4 was all about.

Just as rabid as I thought the fangirls would be.
I felt a little guilty about taking advantage of my size to muscle my way into the throng of girls to get a better view, but I did it for the pics for this write up. Sorry, not that sorry. By the time that whole mess was through, it was about 1PM. My panel started at 4, so I had plenty of time to walk around and do stuff. I overheard a lot of people talking about how much free stuff was being given out in the marketplace, so I wanted to go get some too.
The marketplace was filled with sponsor booths and food stands, all wafting smells of BBQ and grilled goods into the air. It was all delicious-looking, but so so so expensive. Can you believe people charged $10 for a little bowl of ddokbokki? RIDICULOUS... I ended up taking advantage of my female friend who took advantage of her femaleness to get a discount. HAHAHA, she pouted a bit, the cashier boy melted and gave her a $5 discount for the whole thing, throwing in a couple of deep fried mini kimbap on top. Must be nice to be a girl...

After making the rounds, I decided to grab a poster to commemorate my experience. Official KCON branded posters were $10 for a huuuuuuuuge (about 21" x 78") magazine-esque edit of a popular image of the idols. Unfortunately, the GD one was hideous (they used this picture), the CN BLUE one was just their album cover, and they weren't selling any SNSD ones... Maybe some licensing issues with evil devil SME. I settled for an IU poster.

This is how it looks on my wall.
Not bad. I wanted to get at least an SNSD poster, but all the ones people were selling were the ugly nurses cover for Mister Mister (this one to be exact). Not a single decent SNSD poster or individual pictures so I could get Seohyun or something... They even had individual picture cards of 2NE1, for god's sake... Clearly the vendors figured the boy group stuff would sell like hot cakes, but not the girl group stuff. Life is tragic.


MY PANEL, AKA THE NUGU DEBUT OF ZAKU

Sooner or later, 3:30PM rolled around, so I headed over to the special guests' refreshment tent to check in and get ready for my panel. Speaking of which, it was pretty cool that the special guests had their own private tent. It was right next to the press tent, which made me feel pretty important l0l. Anyway, we all headed over to our panel area and waited to get set up. There were far, FAR more people than I expected to see at the place. I was pretty intimidated, since the more people there are, the more likely it was that I would either be recognized and lynched or booed.

I'm a terrible selca-taker, but there were two audience rows like that one. All filled...
It was pretty good from a successful panel perspective to have all those people there, but at the same time who would have thought that many people cared? The panel was called "How to be a Classy KPop Fan." My co-panelists were Shane from Shane's KPop Videos, Kenny Akm (who also does Youtube stuff), Sarah Edge from Green Tea Graffiti, and Julie Thai and June Saldino from Hallyu Magazine. All in all, all pretty qualified people compared to me...

The panel itself went pretty well. It started off a little rocky since people were too shy or embarrassed to as anything in the beginning, but people got more warmed up to us especially when we started to share personal anecdotes. Sarah was from Seoul, so she had first hand accounts of all the Korean craziness, and the others all went to plenty of KPop events in the past. I could only speak about all the online shit we write about here and the LA KPop Festival, but that didn't stop me from sharing some of my favorite tales of fangirl insanity (e.g. Yunho's super glue water, Taecyeon's period blood love letter, and Baekhyun's airport terror). I also debuted my Bell Curve of KPop Fandom theory (which I will be writing about later, l0l). Some people asked us about our thoughts on various topics that I found myself on the other side of the panelists for, e.g. Kemy's diss track (I loved it, some of the panelists were outraged) and fanfiction (I think they're hilarious especially the yaoi ones, the panelists were universally creeped out).

I had a lot of fun talking about stuff. I was also very flattered when some people came up to me after to take pictures and ask for my Twitter handle. I WAS SO EMBARRASSED, THAT'S NEVER HAPPENED TO ME BEFORE... But it was pretty cool. I wouldn't say we changed anyone's lives, but I was pretty surprised many people had never heard of some of the stuff we talked about. I think of it like an intervention almost, l0l.

Excuse my derpyness, I didn't know where to look. Too many cameras going off at once.
By the time the panel ended at around 5PM, we had about an hour to kill before people were allowed to go into the stadium for the concert. This meant I got a chance to meet Dumbfoundead randomly.

He seemed pretty baked. L0L
Not very many people seemed to recognize him, but I'm sure he preferred it that way.
THE CONCERT

6PM rolled around, and I was flabbergasted at how shitty the lines were set up to get in. Terrible terrible planning by the event staff attached to the stadium more than the KCON people in my opinion, but it was a shit show nonetheless. 

My seats were fairly good all things considered. I was sitting in the area where apparently all the MNET employees and friends and family were sitting too, so I suppose I was rubbing elbows with important old Korean folks. Unfortunately my phone could not keep up with the rigorous demands of the day, so I only had enough juice left to take a couple of photos of G-Dragon. Oh well. I'm supplementing my write up with pics from other places so you don't just stare at a wall of text the whole time. I'm pretty sure you'll be able to tell which ones are mine and which aren't, so I won't bother noting the difference.

The whole thing kicked off with Dumbfoundead as the MC for the night. Did you know he just goes by Parker now? l0l It was fairly obvious he was relying mostly on his cue cards and giving blatant lip service to the sponsors. Anyway, he introduced some random white guy (Jeremy Thurber??) who danced and sang awkwardly for about 2 songs. Seriously, it was REALLY awkward seeing some random white guy try the KPop soloist route. 

Oh baby.
Jun Sung Ahn came on next to cleanse our eyes and ears with really good violin covers of Lips Eyes Nose by Taeyang and Good Luck by B2ST. He even did the dance for it, pretty impressive. You can see his "studio" covers for Taeyang and B2ST if you're interested. 

I actually didn't know anything about him until now, so good for him for gettin' this exposure.
Next, Lee Seung Gi popped out to say a few things in English, then promptly disappeared for the rest of the night, presumably to go back to banging Yoona in a hotel somewhere.

Not mine.
VIXX started off the real concert with "Voodoo Doll", "Light Up the Darkness", and "Only U." I had never really listened to them until now, so I was pretty impressed by how interesting their songs were. After "Only U," they took the time to introduce themselves and talk to the audience a bit before launching into "Eternity" and "On and On." I preferred "Voodoo Doll," "On and On," and "Eternity" the most. Apparently, one of their mics went out during a song, but I didn't notice. L0L.

This wasn't as cheesy from the side.
IU, who was one of the people I was actually interested in, came out roaring with "The Red Shoes" which was even more fun in person. "You and I" was next before she took the time to talk to the audience. It took her a lot of effort to speak in English, but it was very admirable and cute of her to do so. She admitted she was nervous to be performing in LA for the first time, and hoped we were having fun. I was. :3

She did "Friday," which had surprise guest Niel from Teen Top do the boy's part to the shock and awe of fangirls in the stadium. "Good Day" was next, and the three-octave thing wasn't as cool as I was hoping it would be, but still pretty interesting. IU wrapped up her set with a rock version of "Hey," which had the odd set of cheerleader back up dancers. I didn't really get it (I still don't), but it was... impressive? Overall, I really liked her set so coming out for her was well worth the commute. 

How did they even practice for this?? I feel like they just grabbed girls from the area...
B1A4 were not as interesting as the crowd had hyped them up to be as I was walking around KCON. Opening with "What's Happening," and "Lonely," I was pretty bored by their cutesy stuff. I feel like they're just noona-killers or something man. They spoke to the audience after that, with pretty good English from one of the members. They continued with "Solo Day" which this WHOLE TIME I thought was "Solar Day" until I looked up their discography to write this. Holy moly. I will admit I was impressed by them during "A Glass of Water" because of their next-level fanservice. From where I was sitting, I noticed the stage hands prepping the stage with a bunch of super soakers so I was a little spoiled. But the crowd was shocked to see them whip out the water guns and spray the P1 and P2 seats with em. They sprayed it up to where I was sitting too, LOL. They wrapped up their set with "Baby Goodnight."

Do schoolboy outfits do for noonas what schoolgirl outfits do for creepy otaku? 
By this point, I was getting pretty antsy waiting for GD to come on so I zoned in and out of Teen Top's set. It didn't help that I didn't recognize any of their songs. I was kinda hoping for the legendary "Clap" aka "Crap" or even "Noona Don't Spray that Shit On Me," but alas. It was not to be. Instead, they did "Rocking," "To You", "Crazy", and "Rock Star." Their choreography was pretty sharp, but Niel still is the only one putting the entire team on his back. It might as well be Niel and the Boys as far as singing goes. I'm pretty sure they did only 4 songs (even confirmed with several other blogs and fan accounts), so it seemed like they got the short end of the stick this time around. Poor guys only got 4 where everyone else got 5.

Overall, solid set I suppose. I couldn't stop myself from glaring at CAP and his backwards-ass daughter-beating UGH-ness though. It was very petty of me. :/

That guy on the far right's earphones fell out as soon as he got on stage. I was hoping he
wouldn't trip on them the whole time.
FINALLY, GD came out with the flashiest bit of stagecraft of the night (even of both days). The overhead LCDs came down to block him out as his stage rose up. Pretty cool. YGE was kind enough to upload the 3/5ths of the set on their Youtube page, so you can see for yourself.







I'll admit, I wasn't the biggest fan of GD's post-Heartbreaker work, but seeing it live was FUCKING HYPE. He blew the stadium open with "One of a Kind," which I thought was decent but meh at release, but then thought it was the best shit in the world. I am embarrassed to admit I was on the edge of my seat (didn't get up for fear of pissing off the important Korean old people I mentioned earlier) screaming and singing along. "MichiGO" was next, another song I thought was garbage but then was hype as hell to hear. His stage presence was PHENOMENAL, and he played to the crowd well (inb4 Kpopalpse yells at me for stage presence comments). He took the time to talk to the audience after that. GD is surprisingly soft-spoken in English, like a shy little boy almost.

After his talk, he launched into "Who You?" and "Crooked." I had forgotten entirely that those two songs even existing, so I was pleasantly surprised to hear them again. "Crooked" especially was very good live. He wrapped up his set with "Crayon" which somehow became the MOST hype song of his entire career to me. Holy moly, I was beside myself with fanboydom... Pretty embarrassing to think back on it, but my SNSD experience was even more so in comparison. More on that later.

His shirt was even uglier in person though...
When his song wrapped up, he was told to stay on stage as the rest of the Day 1 performers went back on to ham it up for the crowd. His vaunted professionalism was on full display as he bowed to all everyone. I was impressed that it wasn't just hyperbole from crazy VIP fanaccounts.

Overall, I thought Day 1 was pretty good. It was a lot better than I was expecting from all the nugus, so they did really well for rookies. GD was head and shoulders above the rest in terms of hype, energy, and stage presence though (there I go again, sorry oppa). KPop is a LOT more fun in person.

PART 2 TO BE UPLOADED LATER

KPOPALYPSE INTERVIEW - Sarah Wolfgang/Hanhee (ex-TAHITI)

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Welcome readers, to another episode of...
kistand

This time Kpopalypse is interviewing Sarah Wolfgang, formerly of k-pop girl group Tahiti!

A few months ago, Sarah Wolfgang's Reddit AmA ("ask me anything") caught my attention.  Sarah, also known as Hanhee, was in the k-pop group Tahiti during their training days, but didn't stick with the group long enough to debut with them.  Sarah's revelations about her time in Tahiti were refreshingly honest and candid, you can read more about them here, but most of it was stuff that I already either knew for sure from my own industry experiences elsewhere and/or had figured out through casual observation:
  • Training in a k-pop group is seriously hard work like you can't imagine
  • Money distribution is awful for the performers
  • Almost everyone who is an idol has plastic surgery
  • Groups inevitably have internal politics and members who get ostracised
  • Idol diets suck the big one (well, maybe the small one - the big one would be too fattening)
I thought to myself "here's someone not afraid to tell it how it really is, this person would probably make a good interview subject" and I also had quite a few extra questions of my own so I got in touch and spent the next couple of months exchanging emails where I asked her about various aspects of herself, Tahiti, and the k-pop music scene in general.  Enjoy!



Hi!  How are you?  Answer in as much or as little detail as applicable.

I'm doing great. Just moved out to LA, and although life is certainly a lot more difficult, it's been an experience I could have never achieved else wise.

Great to hear!  In what way do you find that living in LA is more difficult than Korea?

Korea is a great place to live if you have a) money or b) something that you do really well (ex. speak English to teach it, underground dance for a living). LA has been pretty hard on me because job hunting has been pretty hard... no degree - limited jobs.

Anyone from LA reading, let's help Sarah out!  Put job referrals in the comments below!

Haha, thanks.

I wanted to ask a bit about the process that led you into being part of a k-pop group.  What was the initial drive that made you want to enter that industry?

I never imagined myself entering into the K-pop industry. As a matter of fact, I always dreamt of being an actress. I started acting from a very young age and it has always been my passion. I first auditioned for my company for an acting gig. That later turned into me signing with my company to use K-pop as a mere stepping stone into my acting career.

How did that transformation occur, from wanting to act, to deciding to pursue singing first?

I don't think the transformation occurred as quickly as it probably should have. I signed with my company to use K-pop as a stepping stone to get into the acting world of Korea. I, of course, set the acting aside to focus on my K-pop career. I don't think it was until I actually left the company that I realized I had formed a drive to want to pursue music.

How much of a realistic option do you think it is, in retrospect, to use k-pop as a stepping stone to acting in Korea?  Did you see it work for others, or do you think is it simply not viable except for those at the very top tiers?

I think it's quite possible. The Korean entertainment industry never has to do with talent. It has to do with a) whether or not your company can pay to support your fame or b) whether or not you're in high demand because your company already went through route a.

I mean there is the occasional actor/artist that spends years under the light (usually without a company) that may be very talented... but it's the actual entertainment agency that helps anyone actually see any light or fame.

sarah4
Sarah Wolfgang, during training

I read that you didn't end up debuting with Tahiti, but you were on a "sitcom style reality TV show" during the training period.  Can you describe what that experience was like?

I recorded the first album and left midway through the production. I did, however, stay through the entire recording of the reality show. It was definitely a once in a lifetime experience! We went through the whole process of waking up super early, going to the hair and make up artist, and waiting our turns to be filmed.

Can you describe the album recording process that you experienced?

It started off with us hearing an instrumental with a guide (nonsense words) being recorded on top of it. We listened to it many times, over and over again. We then got lyrics a few weeks after. We memorized them and were brought into a recording studio. We each took turns going in and recording for the parts that were given to us. If one didn't do well, then someone else would be given the part... and so on.

How much of your own vocal part eventually made it onto Tahiti feature tracks such as "Tonight", or were those parts overdubbed by other girls?

I'm not exactly sure as to how much made it on the actual album as a lot of the voices were altered.

Do you follow or keep track of Tahiti's group activities since you left the group out of curiosity, nostalgia or any other reasons?

I have never felt nostalgic about leaving the group. I feel it was a great experience. If I had to do it again, I definitely know how I would do it the second time around. I feel the experience changed me as a person. It honestly broke me in many ways, but taught me so much about myself.

Are you aware of their current musical output?

I see updates once in a while on my twitter feed. I am still twitter friends with a lot of them.

The next set of questions aren't about yourself, your group or company specifically, but just about things that you may have observed during your experiences.  Firstly, what do you think is the biggest misconception about the world of k-pop that someone just entering the industry might have?

A lot of the things happen behind hidden walls... It's hard to understand anything fully without actually having gone through it. I think the biggest misconception that a lot of people have when entering the industry might be that things will progress smoothly. Although hard work is definitely one of the things everyone expects, it goes beyond what anyone could ever imagine.

sarah5
Sarah Wolfgang, during training

There are many stories about artists being very overworked and some of them having only 2 hours sleep per night.  Do you believe that this is a common situation that people in groups may experience?

I think it's different with each company. I can't say for sure, but some things are usually blown out of proportion to seem appealing on the news. From my experience, I've been through only one day where we didn't even get any hours of sleep (due to the MTV shooting 2 days in a row). But most of the days we'd get 4 plus hours of sleep depending on what our schedule was like.

One thing I'm curious about with idols that is rarely discussed is drug use, and I don't just mean illegal recreational drugs but also legal and performance-enhancing drugs.  I know from personal experience in the western music industry that drugs are absolutely everywhere.  I won't ask about your specific group, but just going on what you may have heard during your time in the business, do you think it's a different situation in Korea, or more similar to the west than people realise?

All drugs are illegal in Korea. As far as I know, they are really hard to come by. And even if you're lucky enough.. they'd cost a lot of money. I've heard of certain k-pop groups using drugs (strictly through media) but I've never encountered it first hand.

When you're in training, how much possessions do you actually own?  Are things like clothes yours or is everything label property?

When I first moved into the dorms, I actually took 2 big suitcases and my laptop. I filled my suitcase with lots of clothes and a few textbooks because I was taking online classes at the time.

If you knew someone just about to enter the k-pop industry, what advice would you give them?

For anyone that wanted to enter to the k-pop industry, I would give them the advice not to. I would tell them that they should take the longer road... First try underground music in Korea (if you really want to get into the Korean industry) and work your way up. This will tell you if a) you really want to do music (because it's hard being an underground artist) and b) if you're strong enough to stick with it. The industry is vicious. If you aren't prepared - it will eat you up.

Looking at media representation of what life is like for idol groups, what are the things that you think that the k-pop media get right?  Also, what do you think they most often get horribly wrong?

I think the biggest thing they get wrong is that life as a k-pop artist, or even a trainee, is super glamourous. It really doesn't get glamorous until you're about 4 years in... One thing that they do get right is, k-pop artists (even though I don't enjoy calling them artists) do work very hard to perform.

Obviously k-pop performers aren't "artists", I prefer to liken the performer to a "crafter" who is assisting to craft the artistic vision of someone else, or a group of people, behind the scenes. It's the difference between a bricklayer and an architect.

Exactly!

Do you think this is an accurate perception?

The only thing different would be that when it comes to buildings, the architect takes most of the credit... as where in K-pop, the group takes more of the credit.

Were there any opportunities to get involved in the artistry side of things, that you observed?

None, for me. Most of the lessons I received were those that dealt with dance... and even then, we were given a choreography to which we were supposed to learn step by step... and perform step by step.

Do you think it's just a matter of which company you get saddled with, or do you think other factors are involved?

I know some companies do offer their trainees the option to learn to produce. I think this is awesome! It gives trainees the opportunity to showcase their artistic ability!

How aware of the opinions and buzz of their own companies' media are people undergoing training in a k-pop company?

For trainees, most of the time... they're cut off from the outside world - no phone, no internet.

In your experience, are comments by the general public and/or fans on news articles noticed and/or considered important by the performers, or their companies?  How much influence do you think such comments have?

I'm not sure, I think companies take suggestions/comments seriously to improve the group.

Do performers get any kind of education in avoiding controversy or controversial statements/opinions, or "cultural sensitivity" training for dealing with media and fanbases in other countries?

I think it really depends on the company. I never received any training for dealing with media/fanbases in other countries. I do think that with the amount of diversity there is in K-pop now, cultural sensitivity is dealt with within it's members.

I know you're not into k-pop, musically.  Name some favourite artists that inspire you or that you enjoy the work of - any genre.

I love Jazzhop. My favorite artists include Kero One, Nujabes, Shirosky, Re:Plus, and DJ Okiwari.

sarah1
Sarah Wolfgang, during training

I'm aware that k-pop trainees and new groups don't make a lot of money, plus they get heavily into debt.  I've heard of people working second jobs just to get by.  Did you meet or hear of people who had to take up outside extra-curricular activities to generate income, and if so, what did they do?  And how did they find the time?

A lot of time, extra-curricular activities are not permitted. Personally, I have never heard of anyone working second jobs. 

"Parental pressure" is often cited as a reason for people leaving idol groups in the early stages, and seemingly for good reason!  Do you think the parents of trainees generally are very aware of what life is like for their sons or daughters as a trainee or as a member of a young unknown group, or do you think there's an element of looking at the situation through rose-coloured glasses?

I believe a lot of trainees and their parents are unaware of what goes on behind the scene. A lot of times, the reason why Korean parents are against their children doing music is usually because they're against the arts. They know that the odds are slight, and wasting valuable study time isn't something they'd like to see their child do.

Do you think labels are accepting of people who might want to balance being a trainee with other activities such as outside study, or do you think those people would just not have a chance and get overlooked in favour of someone more committed to only being an idol? 

 Definitely someone more committed. Training to be an idol is a 24 hour job. Most companies do not want someone that has one foot in training and one foot in studying. As a matter of fact, I had to give up school and opted to get a GED (as many students do). 

Why do you think your label emphasized humility so much?

 I think we were expected to be humble because so many people in the industry are not. They wanted us to learn how to be humble before we could think we were the shit (excuse my language, but this was the only way to explain myself to the fullest).

Why do you think k-pop labels cut their trainees off from the outside world so much?  What function do you think that serves for them?

I think they cut trainees off from the rest of the world because they want to protect their trainees from bad publicity and mishap.

What made you want to do the Reddit AMA?

I wanted to do the Reddit AMA as a means to be honest with myself and the online community. It's such a hidden subject that little is known, and I was glad to shine some light on it.

Thanks for doing this interview, I really appreciate it! 

No problem! 

If there's anything else that you'd like to say to my readers about your experiences, or the industry, please do!

 Although a lot of idols do work hard towards making their performance look great... many songs have really awesome songwriters and choreographers working even harder to put it all together. I honestly think, a true fan should work harder in supporting all aspects of an idol group's song - rather than just the idol. Also, the industry is beyond glitz and glamour. Don't be fooled with what you see on TV!
sarah6
Sarah Wolfgang, August 2014



That's it for this episode of Kpopalypse Interview!  Are you or do you know someone doing something relevant to the world of k-pop, who would like to be interviewed?  If so, get in touch!

Orange Caramel's new mv is shitastic MY COPY

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Not going to lie. I'm a big OC fan and I loved the new mv seen here.

 Love the whole WHERE'S WALDO/PICTURE COMPARISON aspect of the video and my girls are hot as always.

side note: please put a bitten mayo filled carrot in my butt Raina. Please jesus!

With this "concept" (as you kpopfags call it), one can watch/fap to this video over and over again and spot something new. The downside is if you're looking on your phone, you will need a magnifying glass or 10/20 vision to spot all the differences or find the girls because of your small screen.

So I did you a favor AKFFISHFUCKS...I magnified one screenshot of the vid and I am posting it below.

Please write about any differences you can see below or tell me what you thought of the new vid.

Me, I loved it.







What's the difference?


KARA 'Mamma Mia' - AKA Time to be OK

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KARA as seen by someone with cataracts.
KARA has finally come back sans Nicole and Jiyoung and basically it's time to be OK. The new addition to the group, YoungJi (as in bizarro Jiyoung) says a line or two though so that's cool. Apparently she doesn't really speak Japanese that well yet though so maybe that's why. Fangirls seem to be evenly split with some vowing to never like the new makeup of the group and others feeling like it's a good transition between old-ara and new-ara. The truth of the matter is that this video while having a pretty generic boring concept does provide for some good fapping opportunities.




No! You're doing it all wrong!
Just as tomorrow, tomorrow night begins tomorrow.
I don't know I might be in minority in that liked Secret's comeback more, I bring this up since both these songs were by Duble Sidekick.

I wonder what she's waiting for?
This video is basically just a message for retarded fangirls who might be ready to riot that you all need to shut the fuck up, cherish Hara (if you aren't already) and get OK. 

Fuck, lost my place.

Exo trolls their own fanclub

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You know, these guys aren't half bad after all.

Kara Releases "Mamma Mia" Music Video

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So, Kara made a comeback with the awesome "Mamma Mia," so let's see what the genius Korean netizens have to say.


1. [+2,984, -694] I haven't been paying attention because I've been busy fapping to old Kara fancams. Anyway, I hope the girls do well so that you other keyboard warrior faggots can get a life.

2. [+2,462, -1,073] I still fap to the three members that are protecting the Kara name. I hope they keep releasing sexy MVs.

3. [+1,841, -711] I'm glad Duble Sidekick doesn't insert shitting fucking rap breaks like Sweetune did. Praise the lord that Nicole and Jiyoung left.

4. [+1,461, -593] Though they have been through many scandals, I am still hoping the remaining members do well and have a good scandal with the new member this time. Just a suggestion: haze Youngji by triple-teaming her with strap-on dildos. Now that's a scandal I want to see. The water bottle shit was fucking retarded and not worth the attention it received.

5. [+1,476, -708] I'm hoping they do well and eventually release a 19+ version of the MV in Japan!

6. [+786, -337] I didn't expect much since Youngji has a baby face and Hara is just a cute alien, but now I have a rock-hard boner after watching the MV.

7. [+616, -285] I'm glad this Duble Sidekick song doesn't sound like the rest of the ones that came out this summer.

8. [+545, -238] The new member is fappable.


Zaku's KCON Experience, Part 2

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Sorry that this is a day later than I promised it'd be out! My weekend was a little crazier than I thought it would be.

Without further ado, here ya go.

Once again, I've separated the whole thing into segments so you can skip around if you just want to get to the concert or something.



DAY 2 (AUGUST 10)


LEAGUE OF LEGENDS EXHIBITION

Having learned my lesson from Day 1's tragic experience looking for parking, I headed out from my LA apartment in the UCLA area at around 9:30AM to get there at about 10AM. We beat most of the traffic and ended up parking in the same lot for $20 because I was too lazy to look for a better place and too nervous about the sketchy downtown LA area to chance parking my car in the street. Maybe next time.

This year's KCON was a little special in that the CJ Entus Corporation decided to fly one of their professional League of Legends teams out to LA to hold a series of showmatches for the KCON goers. Initially, we were supposed to see intense Best of 5 matches between CJ Entus Frost and North America's Cloud 9 but Riot Games being the horrible micromanaging jerks they are at times put their foot down on their teams playing games on Summoner's Rift (aka the default mode professional games are played on). Instead, we got to see ARAM matches on the Howling Abyss and Dominion games on the Crystal Scar (essentially an abbreviated version of the original game map/mode and a CTF-style game mode respectively, for the non-LoL players). Being a massive League of Legends fan, I decided to spend the majority of my Day 2 time at the League of Legends exhibition area (I wasn't really interested in the panels and workshops that day, most of my friends only went to Day 1, and I REALLY WANTED TO SEE FROST).

Their current line-up: (L-R)
Space (ADC), CoCo (Mid), Shy (Top), Madlife (Support), Swift (Jungle)
The event itself was pretty decent, with Locodoco (TSM's coach) and some random guy as the MCs for both sessions. After the introductions, the audience got a chance to ask the players (Frost and C9's Balls and Hai for Day 2) anything they wanted. I personally got my question answered ("Do you follow the North American scene, i.e. NA LCS, and why are TSM going to the World Championships this year?"), and Locodoco-senpai noticed me by acknowledging that I had a "Haha, good question." YES. The first session asked solid questions, but the second session were full of idiots, I swear. The poor Frost guys had to put up with shitty questions like "Space, can you show us your aegyo?" or "Shy, can you do the Gwiyomi?" or "Madlife, which SNSD member would you date?" I was seriously embarrassed for them, but they did their best to answer/put up with the crap.

My view of the whole thing.
When Q&As were done, 6 audience members were picked by lottery to play the game modes with the Frost and C9 members. It was pretty cool, but I DIDN'T GET PICKED A SINGLE TIME. I WENT TO BOTH SESSIONS, GODDAMN IT. Each session had 2 rounds, so I MISSED OUT ON 4 ROUNDS TOTAL... I HAD LITERALLY 24 CHANCES TO BE PICKED... FUCK LIFE...

Hai and Balls also had the opportunity to do 1v1s against CoCo and Shy respectively, as well as a 2v2 against Madlife and Space. Pretty neat stuff if you're interested.







Videos aren't mine. If you have to choose one to watch, I recommend the 2v2 of Hai and Balls against Madlife and Space.

Following the games, people who bought merchandise (mostly really expensive snapbacks) and/or were picked to play with the pros got to have photo ops with them. I found this out the hard way when my dumbass walked on stage randomly and was politely told to go buy some merch and come back later. JOKE'S ON THEM THOUGH, I RAN INTO FROST WALKING AROUND THE CONVENTION AREA LOOKING FOR SOMETHING TO EAT FOR LUNCH.

Space is a fuckin' tank of a guy though, holy moly. Didn't expect him to be so big in real life.
(No, I did not mean fat, you jerks)

THE CONCERT

6PM rolled around eventually, and I got seated fairly quickly this time. I took a side door to get in, and aside from some technical issues with the ticket scanning system, had no troubles UNLIKE THE OTHER DAY. While my sister and I were walking around, we got a BTS fan banner for no particular reason but free stuff is free stuff.

I was drafted by the BTS ARMY.
With some proper battery management and helpful charging station at the Verizon tent, I was able to keep my phone alive long enough to take proper pictures of the whole deal. They're shit quality because I wasn't SUPER close and I was shooting from an iPhone 4S, but at least Day 2's recap has more pizzazz. Whoo~

The night started with a pre-show from some guy named Jhameel and a pair of dancers. Both were fairly interesting, but I preferred the dancers to the Jhameel guy. I respect people who dedicate their lives to such a tough craft!

After some more sponsor pandering from Dumbfoundead aka Parker, the show officially started with BTS aka Bangtan Boys. 

They brought an impressive level of energy and sharp choreo that really impressed me. I ended up downloading some of their songs, so it wasn't too bad that I was drafted after all. l0l. They kicked off with "Boy in Luv" (which has a really creepy MV btw) before pausing for introductions. Rap Monster (what a shitty name, poor guy) struck me as a poor man's Zico, but his English was quite good. He ended up doing most of the talking for his group mates. The funniest part was how he would interject after every song "Yo, just in case you didn't know, we are BTS. Bangtan Boyssss." LITERALLY, every song would not finish officially until he spoke his mantra: "In case you didn't know, we are BTS. Bangtan Boys." I thought it was hilarious, yet a little depressing that it probably had to be that way for the randos tuning in later and wondering "Who the hell are these nugus and when are CN BLUE/SNSD coming on??"

"Just in case you didn't know, we are BTS. Bangtan Boysssss."
They followed up with "No More Dream," "N.O.," "I Like It," and "Bulletproof." I thought their sound was overall pretty good, preferring anything but that "I Like It" one. I wish someone had told me about them before this whole thing... Oh well.


This guy (IDK who he is) came over and did some fanservice for our side.
Some lucky girl got pointed at. l0l
SNSD's Tiffany (who I sadly thought was Jessica from far away) introduced the next act, Jung Joon Young. She mentioned that if KPop had events like this back when "[she] still lived here," she would have been jamming to this stuff too. Yeah, I'm sure you would have STEPHO HWANG... 

I told you these were shit quality.
Anyway, I had no idea who Jung Joon Young was, but anyone who prefaces his stage with "I AM KOREAN ROCKER" has to be doing something wrong with his image.


Apparently he won (or at least placed high?) in some KPop audition show. I dunno. I didn't think his songs were all too interesting, and his poor backing band looked like they would have rather been anywhere else but there. They stood there like super stiff statues, and I'm pretty sure they were shadowhanding their lives away without even making an effort to at least sell it to me. It was a little depressing to watch. I'm not sure what songs he played, but I'm sure I heard "The Sense of an Ending."

They were that stiff the whole time. If I didn't see them set up, I would have thought
they were forced to stand on cue tape to make sure they weren't in the camera shot or something.
At least I saw him up close-ish.
He wrapped up his set with a cover of Michael Jackson's "Black and White" because he really liked him.Other people told me he said he heard MJ performed that song at the stadium previously, so he wanted to do it too. In any case, it was an awful cover. The only thing that saved it was a surprise guest featuring of BTS's Rap Monster doing a respectably good rap break. And I don't know which Michael Jackson he's been watching, but he did a little dance break in the middle of his song that culminated in hip thrusting. Not MJ's signature pelvic grab and thrust. Just straight up humping. Awk.

Rap Monster makes the white to Jung Joon Young's black.
After him, someone who I actually knew performed next. SPICAAAAA. DON'T BE FOOLED BY THEIR HIDEOUS RED CARPET CLOTHES, THEY WERE REALLY PRETTY AND WELL PUT-TOGETHER BY THEIR STYLISTS FOR THEIR SET.

Trust me, Narae and Jiwon were HOT AS FIRE that night.
SPICA started their set with performances of "You Don't Love Me" and a '90s R&B mashup of Boyz II Men's "Thank You" and Blackstreet's "No Diggity." "You Don't Love Me" is definitely more fun in person, and Bo Hyung's vocals were on point all night. It seemed like she did most of the heavy lifting for the group though with some help from Boa and Jiwon. The set was strangely... interrupted? by a heavily scripted talk segment with Danny Im. The display jumbotrons had English subtitles for each of the members as soon as they began to speak. Unless the typesetters had godlike powers of precognition, I'm sure they told SPICA to stick to a specific script (or else). 

Continuing onward, they performed their English language track "I Did It," also a lot more fun to hear in person. They wrapped up with "Painkiller" (ONE OF MY ABSOLUTE FAVORITE SONGS OF THEIRS, so it was a real pleasure to hear them do it live) and "Tonight." Overall, they seemed pretty stiff on stage, but I chalk it up to them mostly not being a performance group. Vocals were amazing though, no questions there. Did I mention how amazing Narae and Jiwon looked?

No fanservice from them on my side. :/
CN BLUE followed up and panties hit the floor. Seriously, the whole stadium exploded and you could smell it in the air (jk). They started off with "Can't Stop," and somehow hearing it live for the second time made it grow a lot on me. I didn't really like the song at first, but now I think it's pretty good.


CN BLUE were like literal rock gods made Korean flesh to these fangirls and they lapped up everything they had to offer. I really like CN BLUE myself, so I found myself on the edge of my seat singing along too with my hands in the air like a wasted white girl. Oop.

They continued with "LOVE," "I'm Sorry," "Intuition," and even "I'm a Loner" for the nostalgia factor. I do have to complain about a couple of things though. Yonghwa was apparently possessed by the devil that night because he insisted on inserting high pitched Changsqueals in random places, which had me rolling with laughter. Everyone else ate it up though. Oh, and did you know he could beatbox? Yonghwa trolled the audience when he told people to repeat a few random lines after him to open "LOVE". Starting with easy stuff like "LOVE LOVE LOVE" and "CLAP CLAP CLAP," he dropped a few beats and everyone just sat there like .___. before deciding to just scream at him. He then .___.'ed back at everyone, saying "DID YOU HEAR ME? I SAID REPEAT AFTER ME, *beatboxes more*" Wat a troll. At least his English is pretty solid.

Yonghwa looked at me. l0l
My biggest complaint about their set was that Jonghyun was a fuckin' brick on stage. He literally stood in the same spot the whole time in powerstance and bass face, not even bothering to look up or walk around most of the time. "But he's the guitarist, he has to focus~!" you might say. Fuck that man, Yonghwa walked around and Jungshin walked around. I'm sure if it was physically possible for Minhyuk to walk around and still play the drums (or at least continue pretending to play, kek) he would have too. But noooo, Jonghyun's too cool for that stuff. I suppose you could blame it on their jet lag, since CN BLUE had only just flown into LA that morning, performed the same night, and bounced back to Korea right after. Very professional of them not to show very much fatigue, although you could chalk the Yongsqueals and the Jonghyun laziness up to being delirious from exhaustion. 

Also, random side note: Someone pulled out a "YONGSEO" LED sign during CN BLUE's set, and I wanted to strangle him/her/probably her. So embarrassing.

FINALLY, after CN BLUE's set, SNSD came out on stage. They kicked it off with "Mister Mister" (which still sucks to me, live performance be damned), but I didn't care because I was too busy trying to keep it together. I FINALLY FINALLY FINALLY had the chance to see Seohyun live AND IT WAS EVERYTHING I COULD HAVE ASKED FOR. SHE WAS SO GORGEOUS IN REAL LIFE HOLY MOLY, I WAS CATCHING THE HOLY SPIRIT EVERY TIME SHE TURNED IN MY GENERAL DIRECTION...!! UGHHHHHHHHHHHHHHHHHH

SHE WAS TOO JJANGBAK
Sooyoung was MIA from the whole thing because she was apparently filming a drama back in Korea. DOESN'T MATTER, STILL HAD SEOHYUN. ALL YOU TROLLS WISHING SOMETHING BAD WOULD HAPPEN ALL FAILED CAUSE YOU CURSED SOOYOUNGSTERS INSTEAD. Hah.

After Mister Mister, they paused for member introductions which I actually paid attention to. SEOHYUN SPOKE FLAWLESS ENGLISH. I was very surprised when I heard her, because if I wasn't paying close enough attention, I would have thought Tiffany was talking instead (not Jessica, she sounds like a fobby valley girl). She randomly said "You guys are HOT," (or something like that, I was too busy dying and screaming) and it was glorious. Sunny probably had the most rabid fanbase because they hardly let her speak. Every time she tried, they would just scream louder. Eventually she just giggled and said "What's my name?" like a true bad bitch. 

Tiffany then asked the crowd what song they wanted to hear next and claimed someone shouted for them to sing "Hoot" so they did. I mean, I GUESS... But I enjoyed it. I had always preferred "Hoot" to something like "Oh!" anyway. Next came "Genie," always a personal favorite.



That blob is supposed to be Seohyun reaching out to let the crowd sing.
Lucky little shits.
When the last bars of "Genie" wrapped up, SNSD went back to center stage for another chat session. They acknowledged their upcoming 7th anniversary (or did it pass? I don't remember) and decided to do a bit of "Into the New World" acapella. It was quite touching. Jessica dipped out at this point for some reason, possibly to get some water or possibly to avoid singing the song reminding her of her tragic debut-era memories. At any rate, she quickly rejoined them to finish off the last few words of the chorus before diving straight back into their real set.

They went with the Korean version of "Mr. Taxi" (vastly inferior to the Japanese version btw, but at least no one had to hear them garble some Japanese words) before closing off with the mega-hit "Gee." I will admit, I did all the dances to all the songs except "Mister Mister" cause screw that song. I was pretty surprised (and thanked my lucky stars for this) that they didn't perform "The Boys" or worse, "I Got a Boy." 

Finishing that up, they were told to stay on stage as everyone went back on to wave to the crowd. I laughed when I saw CN BLUE go up for a bit, then immediately try to leave. SNSD stayed up there for a while, but the usual suspects (aka Jessica) dipped out fast. Yuri was the last to leave. 


FINAL THOUGHTS

All in all, I had a good time on both days. Without specific interest in panels or workshops, the average non-Koreaboo KPop fan (e.g. me) would be pretty bored of KCON after a few hours. Walking around the market was nice, but being out in the hot summer sun surrounded by expensive Korean food (free samples be damned) was not very fun. At least you could get free stuff from the sponsors. If none of that appeals to you, you might as well just buy the concert ticket(s) and come an hour or two before concert time and spare yourself the terror of crowds.

But, if you do find panels or workshops you like, it was a lot of interesting stuff to do. Like I said in Part 1, I really enjoyed doing my panel. I hope senpai invites me back to next year's KCON to do more!

The concert being broken up into two days was an interesting idea. I liked the longer sets because it gave people a chance to hear some of the artists' older material without having to pray they do more than their currently/most recently promoted songs.

I definitely don't regret my KCON experience, other than wishing I brought a proper camera... L0L I will never again be that close to Seohyun though...

Me 'n' the bae
PLS COME BACK TO LA SOON BB

Sojin Is The Best

Han Ji Min for Allure

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Han Ji Min did a pictorial for Allure, and as usual, I just thank God that I am alive to see Han Ji Min. I just think of how gorgeous she is and then I get depressed when I think that I have to go back to university next week and torture my eyes with hordes of extremely obese women roaming everywhere on campus. Then I realize that it doesn't matter as I'll be spending the next four months doing nothing but studying all day every day and then spending a few minutes online every day to look at hot Asian chicks. 






Ice Bucket Challenge

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CLICK BELOW to see the only IBC video i actually gave a shit to look at.


Enjoy a random Sojin and Yura pic before you click and think dirty thoughts









Faptastic!

i know those faces are god awful but I still wanna rub my penis all over them.

Hhhhghhhh





Click the link to view. Blogger aint lettin me upload it here. Dammit. (If anyone akf writer can change it. Thanks...aint working for me).


Update: AKF oppai is jjangbak as fuck for updating this for me.

EXID's Comeback is Actually Real!

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This is Hani's picture for the comeback. Song is supposed to be released at the end of August.




Time for some new-ish Hani fancams!





No more watching fancams of Hani performing the same three EXID songs any longer! Hopefully Shinsadong Tiger saved some good songs for his own group, as that UCAAD has already composed two of my favorite songs this year (Dal Shabet's BBB and Fiestar's One More).
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